The Magical Army of the Chocolate King
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Rosaura continues to suffer from various ailments in this chapter. Her newest complication causes poor digestion and foul breath. Ironically, these superficial flaws plague the woman who is so overly concerned about her image. In a weakened state because of her latest health problems, Rosaura decides to reach out to Tita for help.
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Tita agrees to help her sister and the two partake cordially. However, the reunion between sisters occurs under false pretenses. Rosaura believes that Pedro and Tita can no longer be interested in each other because Tita agreed to marry Dr. Even from the grave, Mama Elena has the power to weaken Tita both physically and psychologically. In keeping with the reunion, Gertrudis makes her return to the ranch. During this pregnancy, the theme of inter-racial identity re-emerges.
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In Gertrudis's troop, he's in love with her but loses her to Juan. He certainly has had tragedy in his life. Like Water for Chocolate study guide contains a biography of Laura Esquivel, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Like Water for Chocolate essays are academic essays for citation.
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On terraced fields either side of an old abandoned farmhouse grew seven different varieties of arabica, robusta and liberica coffee. The trees give him a small yet high-quality crop - his yield is little more than one-hundredth of that on a commercial coffee farm - and it is sold only in Portugal. Cocoa is what makes the money.
Convention suggests forastero beans should be fermented - a process that gives them their chocolate taste - for about six days. But Corallo insisted on doing his own experiments to find the optimum period. Even if people say I start one way, I start with zero. He asked me not to reveal the exact number of fermentation days. It's a trade secret. The traditional way to dry the beans after fermentation is to lay them in the sun. But Corallo has his own methods that he believes to be superior: either spreading the beans over a platform of heated clay tiles, or placing them in a huge aerated cylinder that a friend built for him in Italy.
They are then transported to Nova Moca for careful cleaning and sorting, roasted in Corallo's factory at his beachfront house, and returned to the coffee plantation. Under a covered platform, with the ocean shimmering in the distance, stood several long wooden tables. Thirty men and women, each wearing a white overcoat, a hairnet and a face mask, sat with a pile of cocoa beans in front of them.
Carefully they stripped each bean of its outer shell and discarded the tiny, acrid germ, leaving just the cocoa nibs. This process, winnowing, is usually done by machine, but Corallo believes that the quality of the chocolate suffers as a result. By doing things manually he is also creating employment; at peak times there are 60 people on shelling duty, each earning what is, by local standards, a decent wage.
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From Nova Moca, the nibs are returned to Corallo's four-room factory in his backyard, which he built using two shipping containers as the skeleton, lined with African teak. In the narrow entranceway, workers use a system of fans to blow away any residual particles of dust clinging to the nibs. The nibs are then ground by machine into cocoa liquor. After a few other refinements - some secret - the cocoa is ready to be turned into chocolate. Later the same day, I visited the factory, following the aroma of dark chocolate from the driveway. Workers were scurrying around with trays of chocolate ready for cutting and packaging.
Corallo, meanwhile, was eating - and drinking - into his profits. He had already guzzled "about 30" samples of his newest creation: chocolate balls featuring a core of 2 grams of ginger inside a layer of per cent cocoa. He had also taken several sips of his prized alcohol, 74 per cent proof and chest-warming, with a rich, fruity aftertaste.
It is made from the sticky white pulp that surrounds the cocoa beans inside the pod and which is discarded by most farmers.
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As with his coffee, the yield is tiny - one litre for every tonne of beans - making commercial production impossible. Instead, he soaks raisins in the alcohol before hiding them inside fat, 50g chunks of dark chocolate. It is easily his bestselling product. But the chocolate he puts in front of all visitors, many of whom arrive at his gate unannounced and are welcomed into the factory, is his per cent pure cocoa bar.
Sugar gives chocolate its sweetness - tasting a bar without any "is like examining the cocoa beans under the microscope", Corallo says. He cut a small piece and laid it on a tray. Then he took out several bars made by his competitors and cut a morsel off each. Finally, he poured a glass of water.
A few of the samples were so bitter as to be inedible. Others, marginally less bitter, tasted fatty and clung to the palate. It was hardly a scientific test, but there was no doubt that Corallo's bar tasted sharper and was by far the least bitter. If it tastes good, it's good. One afternoon I was interviewing Rafael Branco, a former foreign minister, when Corallo's name came up.
Don't give us aid - give us ten clones of Corallo," said Branco.
In the gourmet chocolate industry, however, Corallo remains the quirky outsider and has yet to gain the recognition he feels his chocolate merits. He claims never to have tasted any bar that can match his own. The ghost berates her for her actions with Pedro, telling her she has lost all morality and is "worthless, a good-for-nothing" who doesn't respect even herself. The ghost curses Tita's unborn child, then leaves just before Chencha enters the room.
Their guests, the Lobos, arrive, and Tita is horrified to see her mother's ghost reappear in the dining room. The ghost is seen by no one else but the dog, who barks at her furiously. Tita's distress is compounded by Paquita Lobo, who tells Tita that if she didn't know better, she would swear Tita was pregnant.
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Tita is saved from further discussion by an unexpected visitor, her sister Gertrudis, leading a band of soldiers, her lover Juan Alejandrez at her side. Both are generals, and they are also married. Gertrudis says she has come for hot chocolate and Three Kings' Day bread, and she and Tita embrace. As Gertrudis eats the delicious food, she thinks that when Tita dies, their family's recipes, traditions, and past will die with her.
Gertrudis feels grief when she hears of Mama Elena's death but then goes on to tell the family of her accomplishments. She showed herself to be a born leader and advanced quickly through the ranks of the army.
She only wishes her mother could have seen her accomplishments. A celebration begins, and Gertrudis dances with a beauty and rhythm that confounds Rosaura, who knows no one else in the family had those talents. Tita keeps the secret of Gertrudis's parentage and only reveals it much later when Gertrudis gives birth to a mulatto baby.
Tita reveals the secret of their mother's lover to save her sister's reputation, and the couple will be able to live happily together for the rest of their lives. The elements of magic realism reach a new level in this chapter with the appearance of Mama Elena 's ghost. It is not clear if the ghost is "real"—one of the supernatural elements that coexist alongside reality in the novel—or if Elena is simply a manifestation of Tita's guilt.
Rosaura and Chencha certainly could have planted the seeds for the apparition in Tita's mind since they were the ones to interpret the glow of Pedro and Tita's lovemaking as Mama Elena's ghost. Only the barking dog and the plumes of light when making love to Pedro lend credence to the idea the ghost is real in the story. Tita's power over food also makes a reappearance.
There seems to be no logical reason for Rosaura's obesity and digestive problems since returning to the ranch.